Shalom asch biography examples

  • (1880–1957), Yiddish novelist and playwright.
  • Born in a small town outside Warsaw in 1880, Sholem Asch received both a traditional religious education and a more secular Yiddish education.
  • Sholem Asch was the youngest of 10 children in a Hasidic Jewish family in Poland.
  • SHOLEM Squeeze (ASCH) (November 1, 1880-July 10, 1957)

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  • shalom asch biography examples
  • Sholem Asch is often mentioned in the same breath as other modern Yiddish fiction-writers: Sholem Aleichem, I.L. Peretz, Mendele Mokher Seforim. But Asch was decidedly quirkier. Not content to write only about shtetl life or the Jewish immigrant experience–though he also covered these themes–Asch explored provocative topics like prostitution and lesbianism, and he even tested the limits of Jewish literature by writing in-depth about Judaism’s historical rival, Christianity.

    Early Life

    Born in a small town outside Warsaw in 1880, Sholem Asch received both a traditional religious education and a more secular Yiddish education. He moved to Warsaw in 1900, and that year he published his first short story, “Moishele.”

    In 1904, Asch’s semi-autobiographical short story “The Little Town” gained immediate acclaim. In it, he described shtetl life with precise realism, carefully avoiding the kind of “insider” references that often characterized Yiddish literature about the shtetl. This style made Asch’s Jewish content accessible to both Jewish and non-Jewish readers.

    God of Vengeance

    Three years later, Asch published a play called God of Vengeance (1907). This officially marked his “coming out” from the shtetl. God of Vengeance broke barriers by becoming the first Yiddish play

    East River

    November 14, 2014
    EAST RIVER by the great Sholem Asch is one of the most engrossing, satisfying novels I’ve read in a long time. Filled with rich, complex characters maneuvering and often struggling through a changing world, the story brings to life the multi-ethnic neighborhoods on the East Side of New York City in the first decades of the twentieth century. The writing is beautiful and vivid without calling attention to itself.

    Each of the many characters tries to do the right thing, for himself or herself, but also for others and for the society around them, but the circumstances in which they live and struggle frequently betray them. As the world they’re in changes, they change, themselves, so their views of that the world, other people, and of themselves also must alter.

    EAST RIVER is a refreshing change from so many stories and novels today in which under-developed characters mope around doing nothing, as if it’s vulgar for literary fiction to show any energy or color—or emotional and mental complexity. This novel shows how rewarding on many levels a work of serious fiction can be and, although there were no murders, vampires, or explosions within its 400 pages, I could scarcely put it down until the end. Highly recommended.