Der name der rose umberto eco biography
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Umberto Eco Publishes "The Name of description Rose"
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The Name of the Rose
1980 historical novel by Umberto Eco
This article is about the 1980 Italian novel. For the 1986 film adaptation, see The Name of the Rose (film). For the 2019 miniseries, see The Name of the Rose (miniseries). For other uses, see The Name of the Rose (disambiguation).
The Name of the Rose (Italian: Il nome della rosa[ilˈnoːmedellaˈrɔːza]) is the 1980 debut novel by Italian author Umberto Eco. It is a historical murder mystery set in an Italian monastery in the year 1327, and an intellectual mystery combining semiotics in fiction, biblical analysis, medieval studies, and literary theory. It was translated into English by William Weaver in 1983.
The novel has sold over 50 million copies worldwide, becoming one of the best-selling books ever published.[1] It has received many international awards and accolades, such as the Strega Prize in 1981 and Prix Medicis Étranger in 1982, and was ranked 14th on Le Monde's 100 Books of the Century list.
Plot summary
[edit]In 1327, Franciscan friar William of Baskerville and his assistant Adso of Melk arrive at a Benedictine abbey in Northern Italy to attend a theological disputation. The abbey is being used as neutral ground in a dispute between Pope John XXII and the Franciscans ove
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A Rose by Any Other Name: Umberto Eco (1932-2016)
William Shakespeare’s Romeo and Juliet is a tragedy of names. In the famous balcony scene (Act 2, scene 2), Juliet appears at her window and proclaims her love for Romeo, unaware that he is hiding in the orchard below. If their families were not sworn enemies, she sighs, they could surely wed. But so long as he is a Montague and she is a Capulet, they are doomed to be apart. The only way around the heart-wrenching dilemma – it seems – would be for him to cast off his name, or allow her to renounce her own. It wouldn’t change anything about either of them. After all, she asks,
What’s in a name? that which we call a rose
By any other name would smell as sweet;
So Romeo would, were he not Romeo call’d
Retain that dear perfection which he owes
Without that title.
It is one of the most memorable scenes in the Shakespearean canon, and has become so firmly engrained in the popular imagination that ‘a rose by any other name’ is now a kind of romantic shorthand for a lover’s guileless adoration of his beloved’s true self. But it could equally well be taken as a metaphor for modernist approaches to history.
Driven by an unshakable belief in humanity’s capacity for reason, modernism rested on the assumption that objective tr