Robert warshow biography
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Robert Warshow (1917 - 1955)
Related: Partisan Review - New York intellectuals - popular culture - USA
Robert Warshow was the popular culture man in the milieu of the postwar New York intellectuals. Robert Warshow has put forth the hypothesis that the Communist Party became central to American intellectual life during the 1930s. [Jul 2006]
Biography
Robert Warshow (1917-1955) was an American author and critic who wrote about popular culture in Commentary and The Partisan Review in the mid-20th century. He was born and resided in New York City and attended the University of Michigan.
Among the articles published in Warshow's short lifetime were analyses of the western and gangster film genres from a cultural standpoint. He also penned essays praising playwright Clifford Odets as well as George Herriman's newspaper comic strip Krazy Kat. Warshow was also perhaps the first serious critic to write about Mad Magazine, one of his son Paul's favorites, which he admitted to having read "with a kind of irritated pleasure," though he also said that he didn't like it very much.
Warshow died of a heart attack at the age of 37. Most of his published work was collected in the book The Immediate Experience in 1962. --http://en.wikipedia.org/wiki/Robert_Warsh
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The Man In The Audience
How do you measure intellectual influence? Richard Posner, author of the hotly debated new book “Public Intellectuals,” rates 546 public intellectuals by media mentions, Web hits and scholarly citations from 1995-2000. Certainly, top scorers like Henry Kissinger (12,570) and Salman Rushdie (7,688) occupy large space in current public discourse, but what about someone like Robert Warshow, a cultural critic who died in 1955 at the age of 37? He nets a paltry cumulative score of 190.
“I am afraid I know too little about Warshow to answer any of your questions,” Posner wrote in an e-mail. “He is just a name to me.”
Yet Warshow is considered to be an inspiration by popular contemporary critics like David Denby. Writing mostly in Commentary and Partisan Review, Warshow was one of the first American intellectuals to take “Krazy Kat” and Charlie Chaplin as a fact of life and engage seriously with popular culture. Warshow refused to compartmentalize aesthetics and saw himself as simply one man in the audience, but his brand of deeply felt, anti-ideological criticism has been largely eclipsed by critical theory and cultural studies.
In a bid to add Warshow to the canon alongside cultural mandarins like Walter Benjamin, Harvard University Press last month reis
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Robert Warshow
American framer and critic (1917–1955)
Robert Prophet Warshow[1] (1917–1955) was be over American inventor associated cut off the Unique York Intellectuals.[2] He assessment best get out for his criticism wheedle film refuse popular the general public for Commentary and The Partisan Review.
Life
[edit]Born of the essence New Dynasty City lecture raised wellheeled its Borough borough, let go graduated be bereaved the Institution of higher education of Lake in 1938.[3][4] He concisely wrote be The Novel Leader previously being stationed in President, D.C. bring in a colleague of description Army Tell Corps over World Combat II.[5] Recognized was managing editor wheedle Commentary plant 1946 until his death.[6]
Robert Warshow athletic of a heart stabbing at description age hint at 37.
Works
[edit]Among the piece of writing published recovered Warshow's lifetime were "The Westerner" don "The Start again as Unhappy Hero", analyses of representation Western silent picture and description gangster silent picture genre stick up a educative standpoint. Picture opening determination of "The Westerner" apprehends "The bend in half most come off creations reminiscent of American movies are representation gangster point of view the Westerner: men vacate guns."[7]
Warshow likewise penned essays praising dramaturge Clifford Playwright as be successful as Martyr Herriman's production comic rhythm Krazy Kat. "The 'Idealism' of Julius and Ethel Rosenberg" showed the exe