Nargis dutt sanjay dutt biography
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Nargis Dutt thought Sanjay Dutt might be gay due to his habit of locking his door with friends
Sanjay has had a very controversial career in the film industry but his influence on Hindi films and his unique charm are still recalled by many of his fans.Like most Indian children, he had a very close bond with his mother, but was also a source of worry for Nargis as she could not confront his issues, which included drug use, his bad boy image and other vices that Sanjay is still known for.
In Sanjay Dutt’s biography titled Sanjay Dutt: The Crazy Untold Story of Bollywood’s Bad Boy, it is revealed how Sanjay would often lock his room when he was spending time with his male friends, which led his mother, Nargis Dutt to seriously speculate on whether Sanjay might be gay. Sanjay's sister Priyaeven heard her mother once tell a friend, “Why is Sanjay’s room always locked when his friends are there? What is the big deal? I hope he’s not gay.”
Sanjay Dutt, Priya Dutt and Namrata were Nargis' children, but Sanjay was known to be the most pampered among
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Nargis
Indian actress (1929–1981)
This article is about the Indian actress. For other uses, see Nargis (disambiguation).
Nargis Dutt[3][5] (néeFatima Rashid, also known as Nirmala Dutt; 1 June 1929 – 3 May 1981) known mononyomusly as Nargis was an Indian actress and politician who worked in Hindi cinema. Regarded as one of the finest and greatest actresses in the history of Indian cinema,[6] Nargis often portrayed sophisticated and independent women in a range of genres, from screwball comedy to literary drama. She was among the highest paid actresses of the 1950s and 1960s.[7]
In a career spanning three decades, Nargis made her screen debut in a minor role at the age of six with Talash-E-Haq (1935),[8] but her acting career actually began with the film Tamanna (1942).[9] Nargis had her first leading role with Taqdeer (1943). Nargis had her breakthrough with the romance film Andaz (1949) and the musical Barsaat (1949). Following this she starred in Raj Kapoor's crime drama Awaara (1951), which was a major critical and financial success. After a brief setback in the early 1950s, she reemerged with the comedy-drama Shree 420 (1955) and the romantic comedy Chori Chori (1956). Nargis sta