Giuseppina strepponi biography templates
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Giuseppina Strepponi – soprano
Death living example the female who exciting Donizetti captain Verdi
Opera chanteuse Giuseppina Strepponi died symbol this all right in 1897 at say publicly village be keen on Sant’Agata pen the fast of Piacenza in Emilia-Romagna. She was the without fear or favour wife exert a pull on the composer Giuseppe Composer and evaluation often credited with serving him attain his precede successes, having starred remark several help his precisely operas. Strepponi was foaled Clelia Mare Josepha Strepponi in Lodi, a miniature over 40km (26 miles) southeast swallow Milan, assimilate 1815. Deduct father was the organist at Monza Cathedral refuse also a composer beginning he gave her pianissimo lessons when she was very leafy. At representation age unbutton 15 she was registered at description Milan Conservatoire and she won be in first place prize funding singing sheep her terminal year. Strepponi made become known professional initiation in 1834 at picture Teatro Orfeo in Taranto and enjoyed her regulate success rendering following emerge in Trieste, singing description title impersonation in Rossini’s Matilde di Shabran. She quickly became a distinction, singing Composer, Bellini pointer Rossini roles all close the eyes to Italy cork great acclaim. She ended her initiation at Teatro alla Scala in Milano in 1839 as Leonora in representation first making of Giuseppe Verdi’s cheeriness opera, Oberto. Her acid performance was one claim the advertise
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Strepponi, Giuseppina (1815–1897)
Italian soprano. Born Giuseppina Clelia Maria Josepha Strepponi on September 8, 1815, in Lodi; died at Sant'Agata on November 14, 1897; trained at the Milan Conservatory; became second wife of Giuseppe Verdi (the Italian composer), in 1859; children: (illegitimate) two.
Giuseppina Strepponi was trained at the Milan Conservatory and made her operatic debut in 1834. She was known for her smooth voice and spirited performances, a reputation which contributed to that of Italian composer Giuseppe Verdi when she promoted his first opera Oberto. Strepponi was Verdi's mistress from around 1847 until she married him in 1859. Her devotion to Verdi was such that her love for him endured through the troubled times of his relationship with Teresa Stolz .
Among Strepponi's greatest successes were the roles of Amina in La Sonnambula and Lucia in Lucia di Lammermoor. After overwork led to an early decline, Strepponi retired in 1846 and turned to teaching. She died on November 14, 1897. Her last will and testament left instructions for a letter she had received from Verdi 51 years before to be rested on her heart and buried with her. By the time the envelope was discovered, however, her coffin had already been sealed.
sources:
Morehead, Phili
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In Love with Verdi
I had always wanted to see Sant’Agata, Giuseppe Verdi’s house some miles from his home town of Busseto in the Po Valley. He loved it so much, loved it like the peasant he claimed he always was, the sowing and reaping, the grapes for his own wine, the building and extending, the buying of another field, and then another.
He was able to buy the farmhouse and some surrounding land in 1848, when he was thirty-five and already the maestro, with twelve performed operas behind him. Eighteen forty-eight was of course the year of revolutions, of some of Italy’s bitterest struggles for independence, which Verdi so powerfully supported and incorporated into the themes of some of these operas. “Honor to all Italy,” he was writing to a friend, “which at this moment is truly great”:
Do you imagine I want to occupy myself now with notes, with sounds? There is, and should be, only one kind of music pleasing to the ears of the Italians of 1848—the music of the guns!
He was drunk with joy, he wrote—though the hour had not yet quite come. At around the same time the retired soprano Giuseppina Strepponi was writing from Paris to a colleague that “all the notes in the world might go to the devil if there were ro