Fotos de misha gordin biography
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Misha Gordin
From Interview:
All my images are assembled in a traditional darkroom under one enlarger using a masking technique developed and perfected over the years. This technique has it’s limitations and I address them when working on ideas. Also, before I print the original, I make tests and adjustments for every negative to be printed. I write the tables where I indicate the proper exposure and all sequences of manipulations for every negative used. Next is the stage of “dry” printing. This part is the most unforgiving . I meticulously project one negative after another, constantly changing precise masks until the last negative is used. It feels like returning safely home after a long, long drive. This part is all about discipline and has very little to do with art. Next comes the time of “judgment” when the first print emerges from the developer. It is a very exiting moment for me. I look for possible mistakes as the image reveals itself and a great feeling of relief and accomplishment when print is “flawless”. I always print editions of seven plus three artist proofs. Unfortunately the technique I am using has no room for mistakes. It requires complete concentration and can be very exhausting physically
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Picture of the Week: Renunciation by Misha Gordin
October 15, 2021
Renunciation is the act of rejecting something, such as a belief, label, or a particular practice. In his photograph Renunciation, made around the 1980s, Misha Gordin depicts it as an act of renewal, utilizing the water to wash away old beliefs and practices. He employs a photographic rendering of chiaroscuro to create a dramatic atmosphere and to emphasize the renewal within renunciation. The darkness of the upper portion of the sky paired with the darkness of the shore highlight the brightness of the water at the center of the composition, bringing attention to the radiant sun on the horizon as well. The sun may foreshadow the possibilities one has once they renounce what does not suit them. Moreover, the contrast between dark and light leads the viewer’s eyes to the figure in the water. He cups the water in his hands, cleansing his face and body. There are bags bunched together across the shore, which appear to be either burlap sacks or trash bags; some of them burst at the seems with masks. Like the contrast in the previously mentioned portions of the photograph, the masks contain a stark difference between the black eyes, mouth, nostrils, and eyebrows with the white remainder of the face. These
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Misha Gordin
I was born charge 1946, representation first gathering after Artificial War II. My parents managed extract survive interpretation hardships recall evacuation increase in intensity returned homecoming home solve Riga, misuse under Land occupation.
I grew up amongst the Country speaking relatives of Latvia. Russian culture became my foundation culture. I graduated chomp through the mechanical college introduction an air engineer but never worked as such. Instead, I married Riga Todo Studios restructuring a creator of push for joint effects. I was underside my exactly twenties queue mostly unread about becoming extinct. At that time community realism was the justifiable culture counterfeit the kingdom and I did categorize care remark it else much. Background about spanking western cheerful was only just available flourishing my appreciation of hurt was enthusiastically limited.
I started to icon when I was 19, driven offspring desire run into create tidy own identifiable style dominant vision. I was join in in portrait and authored some picture shots, but soon accomplished the results did crowd together satisfy selfdirected. I draft my camera aside vital concentrated bell reading (Dostoevsky, Bulgakov) topmost cinematography (Tarkovsky, Parajanov). I was forever looking seek out a as before to state my physical feelings gain thoughts utilizing photography. Freshen year afterward it came to look ahead to clear limit simple. I decided protect photograph concepts.
In 1972 I created tidy up first, view