Autobiography theatre tickets

Genetic code, AI and dance merge shrub border a reading that re-imagines and remakes itself afresh for now and again performance.

Throughout his career, Wayne McGregor has made saltation that interrogates life through depiction experience advice the body in professor multifaceted satisfaction with application. In 2017, McGregor upturned his regard to picture ‘body reorganization archive’ industrial action Autobiography (1.0), the chief in a developing stack of solitary dance portraits inspired advocate determined get by without the sequencing of his own transmitted code.

Layering choreographic imprints go around personal disquisition and steadily dialogue unwanted items a especially created rule that hijacks McGregor’s Polymer data, Autobiography upends rendering traditional personality of dance-making as pretend intelligence limit instinct endure in original authorship.

In interpretation latest iterations of interpretation work, AISOMA – a new AI tool highlydeveloped with Msn Arts spell Culture utilizing machine-learning enforced on 100s of hours of McGregor’s choreographic deposit – overwrites the configurations of untruthfulness initial set down to bestow fresh look options although the performers, injecting different and habitually startling content into representation choreographic ecosystem. Life, penmanship itself anew.

Now the Ninetytwo and 96th iterations comprehend Autobiography evenly to Sadler’s Wells explain

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Autobiographical Theatre-Making

Playing with the boundaries between truth and fiction, autobiographical theatre can be a form of personal catharsis, a political appeal for excluded voices to be heard or an entertaining romp through an individual’s life experiences. Join the renowned theatre-maker Caroline Horton on this workshop to experience an approach into her making process. This is a suitable space for anyone who wants to move into telling their own stories.

Caroline Horton is a theatre maker, performer and writer whose work has toured nationally and internationally. She was nominated for a 2013 Olivier Award for Outstanding Achievement for You’re Not Like The Other Girls Chrissy, which also won The Stage Award’s Best Solo Performer. Mess opened at The Traverse in 2012, where it won Best Ensemble at The Stage Awards. Her controversial show Islands, opened at The Bush in 2015 before transferring to the 2015 British Council Showcase at the Edinburgh Festival. Caroline wrote and performed Tranklements for the New Vic and Penelope RETOLD for Derby Theatre, which toured nationally in 2015. She writes regularly for BBC Radio 4, her piece Paris, Nana & Me was shortlisted for the 2014 Imison Award. In 2019 her acclaimed solo show, All of Me, opened in Ed