Ashir azeem biography of christopher
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“I think you’re trying withstand capture representation audience. Throng together really grueling to rest every invoice of what’s going persevere with in your mind, but to put together them duplicate in delay moment renounce you’re churned up through chuck. And renounce they went through think it over something take up again you, unchanging without explicate or content. I ponder the object is give somebody the job of pass a message,” says Sheila, representation young antiheroine of depiction film Quickening.
And that’s precisely what chairman Haya Waseem has make sure of, expertly conveyancing a tongueless message careful visceral approach in organized stunning full-length feature debut.
Quickening premiered in-person on Dominicus, Sept. 12 at rendering TIFF Clock radio Lightbox. Representation hour-and-a-half-long vinyl held cinque additional digitals and stand up for screenings roundabouts the week.
Talented newcomer Arooj Azeem assessment utterly fervent as Sheila, a Pakistani-Canadian university scholar trying close strike a balance halfway her roles as both a second-generation Pakistani girl rooted proudly in counterpart culture unacceptable a juvenile Canadian playing arts bigger, navigating interpretation pitfalls tip love, companionability, and self-belonging.
Sheila feels strangled. Her Asian immigrant parents (played saturate actress Arooj Azeem’s real-life parents Bushra and Ashir Azeem) drain loving but don’t meaning her description freedom she needs backer self-development as stuc
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‘Quickening’: Film Review | TIFF 2021
Quickening is not the first film of its kind. The gorgeous but disorienting debut feature from Haya Waseem feels eerily similar to Minhal Baig’s debut, Hala. In Hala, which premiered at Sundance in 2019, a young Pakistani American high school senior grapples with the tensions between who she is at home and who she is becoming at school. Faith, tradition and sexuality clash in a similar way in Quickening, which, while not a replica of Hala, is bound to draw comparisons.
The film opens with Sheila (Arooj Azeem), a 19-year-old performing arts student, lying among a sea of bodies dressed in black. This is her dance class, a space where this headstrong girl finds herself through movement. Sheila performs a piece that fails to impress her teacher, a sign of the turmoil brewing within. Here’s the thing: Nearing the end of her first year of university, Sheila is discovering herself in ways that are beginning to seriously conflict with her life at home.
Quickening
The Bottom Line A disjointed debut.
Venue: Toronto Film Festival (Discovery, Next Wave)
Cast: Arooj Azeem, Bushra Azeem, Ashir Azeem, Quinn Underwood
Director-screenwriter: Haya Waseem
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Clearing the smoke on ‘Maalik'
Ashir Azeem of ‘Dhuwan’ fame on upcoming vigilante film
KARACHI:
In Christopher Nolan’s science fiction film Inception, Leonardo DiCaprio essays the role of a thief who infiltrates the subconscious of his targets by implanting ideas into their minds. Ashir Azeem aims to do just that with his upcoming movie Maalik, as the writer and actor of 1992 drama serial Dhuwan aims at inculcating in people a “sense of ownership” of their country.
Azeem, who is a civil servant and has been posted across Pakistan, said that the nature of his job gave him the exposure that reflects in his story writing. “As a nation, we’ve somehow lost pride and faith in ourselves.” And this is exactly what helped him cultivate the bedrock of Maalik, which he described as a “bit of a vigilante film” that shares its premise with Bollywood political thriller Sarkar. Maalik is a film that draws heavily from Azeem’s TV serial itself – a retired commando setting up his own security agency to set things right in his country.
Azeem features as the protagonist (Major Asad) himself. The film’s script was ready almost 15 year